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Question 1
( a) MELODY WRITING
Continue the given melody to form a passage of not less than 12
and not more than 16 bars. Modulate to the relative minor in the
course of the passage and return to the home key.
Or
Set the text below to a suitable melody. Indicate the tempo,
phrasing and dynamic marks.
(Credit will be given for originality of the composition and proper
alignment of texts to the notes.)
There are games and there are games
Game of balls, inflated hard; Kick them, throw them, catch them, miss them,
All the world would cheer or jeer.
(b) TWO - PART WRITING
Add a soprano above the given bass (credit will be given for a
judiciously contrasted soprano)
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(c) FOUR-PART HARMONY
Harmonize the melody below by adding Alto, tenor and bass parts.
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Candidates' performance in Melody Writing, Two - Part Writing and
Four - part Harmony fell below the previous years.
Most of them failed to do justice to the question(s). This really
exposed their ignorance of the technical elements of music where
they were expected to have applied their knowledge of the theory of
music.
To avoid this ugly development in future, candidates are advised to
and 16 bars;
(2) a well-spaced even number of bars such as12, 14 should be
prepared with phrase marks in either 2 or 4 - bar patterns as
the care may be;
(3) they could recopy the given phrase correctly, noting the
basic rhythmic and melodic features while they could also do
a modified repeat of the second opening phrase in the
immediate second phrase;
(4)they can also introduce a few rhythmic and melodic
variations in the middle section before making a return to the
initial rhythmic pattern and melodic contour at the final
phrase;
(5)modulations to the dominant, subdominant, relative minor or
relative major for a melody in a minor tonality are required;
(6)ability to underlay all the syllables of the text in perfect
alignment with the musical notes meant for each syllable or
word. Conscious efforts must also be made to group the
texts into strong and weak syllables;
In question 1 (b), Two - Part Writing, the rhythm of the added part
must show good elements of contrast. Candidates should avoid
writing in same rhythm with the given part for more than one bar in
a given 4 - bar phrase.
In 1 (c) Four - Part Harmony, most candidates did badly here.
They used mostly primary triads in root positions and first
inversions only. Six-four chords may just be sparingly used only as
cadential ,passing ,auxiliary/pedal or stationary
Candidates should avoid harmonizing all quavers as non-harmonic
notes especially when they are together as passing tones or
neighbouring tones.
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