Question 2
- 
        Either 
 With reference to GAVOTTE (From French suite) by Bach.- State the key of the music.
 - Quote the first four bars of the melody.
 - What is the time signature of the music?
 - What period was the music composed?
 - List five dynamic marks or symbols used in the music.
 - What is the tempo of the music?
 
Observation
Candidates  were expected to study the set-piece and respond accordingly to the questions.  However, most of the candidates performed average in this question. Candidates  should have responded to the question in the following ways:
(a) Key G major  
 (b)
(b) 

 
  
(c)               or Alla  breve or  
(d) Baroque Period  
(d) p, mp, f, mf, cresc, ˂, >  
(f)  Moderato or At a moderate pace or Moderately 
Or
With  reference to Akin Euba’s Ore Meta 
- State the time signatures of the music.
- What instrument introduces the song?
- State the metronome mark that depicts the tempo of the piece.
- In which Nigerian Language is the music written?
- Notate the range of the voice part using semibreve.
- Identify any four compositional devices used in the piano part
- What category of voice part is the music written for?
- What cadence ends the music?

 Candidates were  expected to study the set-piece and respond accordingly to the questions.  However, most of the candidates performed poorly in this question and the major  cause of the poor performance was non-availability of the prescribed  set-pieces. Candidates should have responded to the question in the following  ways:
Candidates were  expected to study the set-piece and respond accordingly to the questions.  However, most of the candidates performed poorly in this question and the major  cause of the poor performance was non-availability of the prescribed  set-pieces. Candidates should have responded to the question in the following  ways:
    (a)        and        
   (b) Piano
(b) Piano 
    (c)        = 120 
    (d) Igbo                                                                            
   (e)
          (e)                                 
(f) Polarity (unison), repetition, synocopation, hemiola, call &  response, 
    imitation, modulation,  chromaticism.   
    (g) High Voice, Soprano, Mezzo Soprano, Tenor  
    (h) Perfect 
