CANDIDATES’ WEAKNESSES

The following weaknesses were perceptible in the candidates’ scripts:

Poor knowledge of balance in melody writing

Candidates did not exhibit a thorough knowledge of balance in melody writing as        well as form and modulation to the subdominant. A few who attempted to modulate did not show adequate knowledge in modulation. Steps of notes were in most cases wrongly directed and melodies were shapeless. Also, most candidates did not understand the concept of setting a given text to music.

Poor knowledge of chord progression and cadences

Candidates also displayed a very poor knowledge of chord progression and cadences, inaccurate spacing and poor notes placing on the staves.

Poor Knowledge of set works

Many candidates showed evidence of poor knowledge of the given set works. They were unable to differentiate between dynamic marks and compositional techniques used in the pieces.SUGGESTED REMEDIES TO OVERCOME CANDIDATES’ WEAKNESSES

The solution to these inadequacies is simply for candidates to ensure they prepare adequately for examination by reading relevant textbooks and consulting competent professionals. Candidates should upgrade their knowledge by spending time reading and practicing the art of harmony. They should also endeavour to practise with the prescribed set-pieces before sitting for examination.